9/15/2023 0 Comments A view to a kill venzThe Villain: Christopher Walken as Max Zorin Title Song: “ A View to a Kill” by John Barry and Duran Duran, performed by Duran Duran I was trying to get more emotions into the film and more human qualities in all the characters.Produced by: Albert R. There’s something about the fact that she is a woman that I thought could be interesting. “I was looking for somebody young and fresh and with another kind of vision. Working alongside Linden was first-time feature cinematographer Frances Chen-a huge shoulder-tap from a star of Lundgren’s pedigree, which was intentional. He knows there’s a left hook coming up so he can move out here to get it.” And then he can anticipate the moves as well. “First of all he’s strong, and he can carry the camera for long takes. Adkins brought his friend Eric Linden to the party the stuntman and stunt coordinator also operated the camera for this gig. The keys to stitching together convincing fight action, Lundgren knows, are many: meaningful character motivation, rising narrative stakes, great stunt personnel, multiple camera angles for the best edit options, and people behind those cameras who understand fight work. It’s kinda raw and kinda down-and-dirty fighting.” If somebody gets close to you, what you wanna do is make sure you hit ’em with the hard part of your skull-if it’s a real headbutt. Lundgren perks up when I ask him the secret to a good one. It was very helpful to have Scott around because he is a perfectionist and I knew that if he is happy then I’m gonna be happy.”Īmong the left hooks and uppercuts, Castle Falls features a fair whack of solid headbutts. “I don’t need to double him, he can do his own fights and he had a great fight coordinator. “I knew that with our limitations, I was gonna focus on fights, because I had Scott, who can fight,” says Lundgren. The film’s budget and Covid both placed limits on what was possible. In Castle Falls, for example, Mike, having been submitted in the film’s opening fight, needs to learn how to win again, while Shea’s daughter’s life depends on his old knees carrying him up those relentless flights of steps. Mike finds a big bag of cash, which Shea is hunting for following a tip-off, and a third, gun-toting bad guy, Deacon (played by stuntman supreme, Scott Hunter), is also after the loot.Īction design is a complicated dance between the things that need to happen physically, and the things that matter to character. Mike’s latest job is to pull the last valuable scraps from an old hospital-the castle of the title-that’s set to be demolished in a matter of hours. Teaming up with English actor and Taekwondo black-belt Scott Adkins, who has fast become a martial-arts movie star in his own right, Lundgren’s age is on show as Shea, a prison guard of modest means whose daughter (played by his own offspring, Ida) needs expensive cancer treatment.Īdkins ( Zero Dark Thirty, Doctor Strange) plays Mike, a washed-up English fighter with an old shoulder injury, who turns to construction temp work after having been submitted by a better competitor and thrown off his American MMA team. Lundgren’s latest self-collaboration, Castle Falls, is a tight 90 minutes that brings fists to a gun-fight in a ticking-clock action-thriller made during the Covid lockdown. “There’s superhero-franchise pictures, where the action is sort of fantastic and everybody’s kicking the guy through the wall, and the women are beating up nine guys at the same time. Then there’s the other side where people seeing MMA, they realize: how many punches can you take? How can you choke somebody out? How does the injury slow somebody down? I think there’s an authenticity in films that is slowly kind of getting closer and closer to the real fight-except maybe the superhero movies.” “It's an interesting question, because you have two types of movies that deal with action,” Lundgren tells Letterboxd. Lundgren has directed himself in a small collection of them, too, and finds himself acutely invested in how the rise of Brazilian Jiu-Jitsu, Muay Thai, and other martial arts has changed the action-film scene. The Swedish action king has put his body on the line in a frankly impressive number of movies-mostly action, sometimes comedy-since his debut as Venz in the 1985 Bond film, A View to a Kill, followed shortly by his star-making turn as Ivan Drago in Rocky IV.
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